Volume 11 | Issue 1 (2022) Contents Articles Sabri Mnassar Nathaniel Hawthorne’s Ecophilosophy in “Rappaccini’s Daughter” Rocío Moyano Rejano “Her tears fell with the dews at even”: The Ekphrastic and Intertextual Dialogue between Victorian Poetry and Pre-Raphaelite Painting Younes Poorghorban The Commodified Happiness: The Only Established Source of Meaning in Oscar Wilde’s The Happy Prince and The Nightingale and the Rose Bowen Wang The Materialisation of “torrential languages” within the Avant-Garde: Mina Loy, James Joyce, and Aesthetic Modernism Mohammad Masoodi Miyanrostaq and Seyyed Mehdi Mousavi Laughing with Beckett in Waiting for Godot and Endgame Matthew Somerville The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom Issa Omotosho Garuba Existential Dualism and Absurdity: Modernist Theatricality in Wole Soyinka’s Death and the King’s Horseman and Samuel Beckett’s Endgame Tuhin Shuvra Sen Naomi Alderman’s The Power: A Speculative Feminist Dystopian Fiction Mirroring the Here and Now Federico Prina The Mitford Voice: A Diachronic Inquiry into the “Upper-Crust” Accent of the Mitford Sisters Ladislav Vít The Landscapes of W.H. Auden’s Interwar Poetry: Roots and Routes
